This Drifting Excrement Was Way Too Symbolic! These Are the TV Disappointments of the Past Year.

As we reflect on the TV landscape of the past year, a handful of series stand out not for their brilliance, but for their spectacular shortcomings. From cringe-inducing spin-offs to confusingly bad docuseries, here are the productions that left us scratching our heads or simply reaching for the remote.

And Just Like That

Where to begin with this love/hate spin-off? Burdened with dreadful writing, painful arcs (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series fought to justify its existence. For a moment, as the third series began, it seemed as if it had at last found its groove. Then came an episode centered on Seema’s natural deodorant. No wonder the showrunner announced this would be the last season. It concluded on a low point; the closeup of Miranda’s loo flooded with poo was simply too symbolic. Still, fans undeniably had a hoot dissecting every single “wtf?” episode. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who didn’t let out a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the smallest of this drama's problems. The subject of a very rare zero star assessment, it was difficult to know where to start listing the flaws. The hilariously wooden dialogue? The tedious veneration of wealth and materialism? The seemingly deliberate procession of tropes? Performances so poor they felt almost spiteful? Suffice it to say “each and every one” and forget about this show again. Except, a second season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the restraining orders, domestic violence allegations and parental shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not that you’d truly have known it from this multi-part documentary which smirked its way at Sheen’s various episodes of reckless hedonism while failing to tell us a single thing we weren't already aware of. Rather, it felt as if this loose cannon was being pandered to, so any sympathy this show might evoke should be reserved for the people who have had to endure close contact with this charismatic but flippant narcissist.

The Iris Affair

Naturally we understood it was ridiculous from the outset: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of sheer admiration for its stars … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Dodgy figures convening in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its crime drama back.

Actually, that is harsh on the crime shows of the late 90s. Many seem a little dated now, but at least they didn’t suffer the ignominy of having to accommodate unconvincing accents. But there were plenty of other problems. Mainly that it was just profoundly dull; a dispute over drug-selling territory between various London rogues which felt a bit basic.

With Love, Meghan

Given the extent to which she provokes the ire of certain performatively enraged commentators, it’s almost easy to admire the Duchess of Sussex’s various ventures into quaint lifestyle as intentional statements. But then you watch them and are compelled to concede that in this case, they might have a point. It’s like watching a homeware catalogue animated; a meme for evening drinks with ideas of grandeur; a parade of snoozing dogs, buzzing beehives, sentimental platitudes and forgettable crafting “tips” you’ll not remember instantly. All underpinned by vast, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be said about regarding Victoria Beckham and her struggles with career, self-image, self-acceptance. But for some reason, this documentary series opted not to explore them. Rather, the viewing was akin to consuming a sales brochure. She clearly has every right to resent what she describes as her “miserable cow” image. But sadly, she failed to do herself any favours with this guarded non-event of a series.

The Inheritance

It should have been the next big hit – except even more extravagant, with a famous star playing dead and a well-known personality overseeing her inheritance. What more could you want? As players competed, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s still too confusing to detail what exactly was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The show ended up smelling of a production that was straining desperately to live up to something way beyond it.

Too Much

How do you succeed a show that captured a generation? The pressure was immense for this glitzy romcom about Jessica, a hopeful New Yorker who lands in London with a broken heart. The star seized the opportunity by the horns and was a delight to watch, embodying Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was not enough. Plus, the sheer amount of famous cameos involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the shrewd inclusion of talented younger comics, hopes were high. But sadly, most of it fell flat. A particular sketch was a one-note joke stretched to a husk but repeated in every episode. One star seemed too ready to slip into a well-known irate mode. The writing room sketches, meanwhile, simply inspired the thought that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be handled with care. Instead, the series struggled painfully to find the right tone, lurching from oddly jaunty, slightly mannered farce to ultimately, real-life horror. Complex? Perhaps. A total mess? Absolutely.

Prime Target

We love the star … but did we believe him playing the greatest maths genius in history, a man so intelligent he’s on the verge of a breakthrough that could ruin society? Nope! This international thriller about secret services spying on – and eliminating – intellectuals frankly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the online personality renowned for sexual exploits as she prepared for her biggest challenge yet. What on earth would motivate her? What we craved was way more interrogation of her true psyche, plus those of the men in the line. They could at least have interviewed the now-famous mum who showed up to drag her son away from the queue. What we got was horrific imagery and absolutely no critical analysis of her notoriety whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Edward Friedman
Edward Friedman

A cultural policy analyst with over a decade of experience in UK arts management and heritage conservation.

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